Pick three, four, or five plays from our upcoming season and design your own experience: all comedies, all premieres, all plays by women, or any other combination you might dream up!
- 1: Pick Your Package
- 2: Pick Dates & Seats
How many packages would you like?
Which plays would you like to include?
By Nilaja Sun
Directed by Ron Russell
MARCH 27-APRIL 23, 2017
From the one-woman dynamo who brought the Obie Award-winning No Child… to Woolly in 2008 comes a rich slice of Puerto Rican immigrant life that “glows with humor” (New York Times). If you’ve ever seen Nilaja Sun’s virtuosic performance style, you’ll want to experience it again…and if you haven’t, you must not miss the chance to be transported to Pike St.
On the Lower East Side, a mother works hard to keep the electricity flowing for her daughter’s respirator while a hurricane looms nearby. As she prepares for disaster, a vibrant host of characters—a decorated war veteran, her ne’er-do-well father, her octogenarian downstairs neighbor—bring new meaning to the phrase “it takes a village.”
By Taylor Mac
Directed by Shana Cooper
MAY 22-JUNE 18, 2017
Isaac, a veteran, returns to his childhood home and discovers that his family’s been transformed. His timid mother, freed from the constraints of her marriage, has begun a crusade to subvert the patriarchy, and his sister is now a genderqueer anarchist who uses the pronouns ze and hir. Meanwhile, his abusive father now wears clown makeup and downs estrogen pills…against his will.
Obie Award-winner Taylor Mac’s “audacious, uproarious black comedy” (New York Times) flips the script on gender power dynamics and asks a key question: does destroying the past really free you from it? It’s a sly kitchen-sink drama covered in glitter, and you’ll laugh your way through to an answer.
Featuring company members Emily Townley and Mitchell Hébert
By Branden Jacobs-Jenkins
Directed by Nataki Garrett
July 18-August 6, 2017
Last year’s most talked-about, most unforgettable production is returning to Woolly for a limited three-week run: An Octoroon by new MacArthur "Genius Grant"-winner Branden Jacobs-Jenkins!
A plantation on the brink of foreclosure. A young gentleman falling for the part-black daughter of the estate’s owner. An evil swindler plotting to buy her for himself. Meanwhile, the slaves are trying to keep things drama-free, because everybody else is acting crazy.
An Octoroon, Jacobs-Jenkins’ Obie-winning riff on a 19th century melodrama that helped shape the debate around the abolition of slavery, is an incendiary adaptation. Part period satire, part meta-theatrical middle finger, it’s a provocative challenge to the racial pigeonholing of 1859—and of today.
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