The Story of the Gun

July 31 – August 5

  • Created and Performed by Mike Daisey
  • Approximately 90 minutes, with no intermission

Mike Daisey returns to tackle our nation’s most provocative subject: America’s relationship with guns. Throwing easy answers and partisan bickering out the window, he delves into the history of the gun and its place in our national culture, cutting through the political static with hilarious comedy, brilliant observation, and pitch-perfect timing.

“The master storyteller—one of the finest solo performers of his generation”
New York Times


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About Mike Daisey

MIKE DAISEY (Creator and Performer) is the preeminent monologist in the American theater today. Called “the master storyteller” and “one of the finest solo performers of his generation” by The New York Times, he has been compared to a modern-day Mark Twain and a latter-day Orson Welles for his provocative monologues that combine the political and the personal, weaving together secret histories with hilarity and heart. He’s known for art that provokes and crosses boundaries, like his critically acclaimed 29-night live theatrical novel, All the Faces of the Moon, a forty hour performance staged at the Public Theater in New York City in 2013.    

He has toured across five continents, ranging from remote islands in the South Pacific to the Sydney Opera House to abandoned theaters in post-Communist Tajikistan. He’s been a guest on Real Time with Bill Maher, the Late Show with David Letterman, a longtime host and storyteller with The Moth, as well as a commentator and contributor to The New York Times, The Guardian, Harper’s Magazine, Newsweek, WIRED, Vanity Fair, Slate, Salon, NPR and the BBC. In a brief, meteoric career with This American Life, his appearances are among the most listened to and downloaded episodes of that program’s history. He has been nominated for the Outer Critics Circle Award, two Drama League Awards, and is the recipient of the Bay Area Critics Circle Award, six Seattle Times Footlight Awards, the Sloan Foundation’s Galileo Prize, and a MacDowell Fellowship.

As a playwright, his transcript of The Agony and the Ecstasy of Steve Jobs was downloaded over 100,000 times in the first week it was made available. Under a revolutionary open license it has seen more than 150 productions around the world and been translated into six languages. Years later there are productions being staged all over the world every night from Germany to Sao Paolo to mainland China. He is currently at work on his second book, Here at the End of Empire, which will be published next year by Simon and Schuster.