Production Detail Blocks Test Page
Production Detail Blocks Test Page
BY JASMINE LEE-JONES
DIRECTED BY MILLI BHATIA
Run Time
90 Minutes with no intermission
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THE ROYAL COURT THEATRE PRODUCTION PRESENTED IN ASSOCIATION WITH THE PUBLIC THEATER’S UNDER THE RADAR FESTIVAL
BREAK THE INTERNET
When Forbes Magazine declares Kylie Jenner a “self-made” billionaire, Cleo takes to Twitter to call out white women who co-opt and profit from Black culture. Soon online discourse spills into reality, blurring the tenuous lines between internet personas and who we are IRL. On the internet, actions don’t always speak louder than words.
Content Transparency
This play contains the use of profanity, racial slurs, graphic and descriptive mentions of murder, mentions of sexual acts, mentions of non-consensual sexual dancing, homophobia, racism, colonialism, and the use of marijuana. This production uses haze, smoke, loud sounds, and contains mild strobe effects and intermittent flashes at timed intervals which may trigger light sensitivity.
Mask Policy
All audience and staff members are required to wear a mask inside the building (when not actively eating or drinking). We encourage guests to wear a KN95 mask, but all masks covering the nose and mouth are accepted.
Accessibility Performances
ASL INTERPRETED PERFORMANCES
Sunday, February 19th 2pm
Thursday, February 23rd, 8pm
OPEN CAPTIONED PERFORMANCES
Wednesday, February 15th, 8pm
Thursday, February 16th, 8pm
Audio Described PERFORMANCES
Sunday, February 19th 2pm
Thursday, February 23rd, 8pm
Talk Backs (Immediately Following)
Wednesday, February 15th, 8pm
Thursday, February 16th, 8pm
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Creative Team
Creators

Director
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Production Supervisor
Lighting Designer
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Costume Designer
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Sound Designer
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Set Designer
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Cast

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Performances
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Production sponsorship generously provided by Joan and David Maxwell.
This engagement of Seven Methods of Killing Kylie Jenner is made possible in part through the Special Presenter Initiatives program of Mid Atlantic Arts with support from the National Endowment for the Arts and DC Commission on the Arts and Humanities.
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