Colin K. Bills (he/him/his) has lit over forty-five productions at Woolly, including An Octoroon, Stupid Fucking Bird, The Convert, The Elaborate Entrance of Chad Deity, A Bright New Boise, Oedipus el Rey, Clybourne Park, and Dead Man’s Cell Phone. As a Conspirator with the devised theater company dog & pony dc, he has collaborated in the writing, direction and design of A Killing Game and Beertown, and has designed the sets and lighting for Courage and Punch…that’s the way we do it. His designs have been seen at Arena Stage, The Berkshire Theater Festival, CENTERSTAGE, Contemporary American Theater Festival, Dallas Theater Center, Everyman Theatre, Ford’s Theatre, Forum Theatre, Imagination Stage, Intiman Theatre, The Kennedy Center, Marin Theatre Company, Metro Stage, Olney Theatre Center, Opera Lafayette, Opéra Royal Versailles, Portland Center Stage, Round House Theatre, The Smithsonian, Signature Theatre, Studio Theatre, Synetic Theatre, Syracuse Stage, Theater J, The Washington Revels, The Wilma Theater, and the Williamstown Theatre Festival. Mr. Bills has won three Helen Hayes Awards and is a recipient of a Princess Grace Fellowship in Theater. He is a graduate of Dartmouth College.